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Things 69: One Minute, Crows, Build It

Video
’28 Days Later’ in one minute, in one take (and will make little sense if you haven’t seen the film but might be entertaining anyway):

Link
Tumblr is like Twitter for pictures. As a strange side effect, incredibly well-curated collections of images of niche interest are being created, such as crows, or Selleck Waterfall Sandwiches.

Quote
I had just described my systems for organising everything in my life (including writing up the lastest Things) to Bex:

Bex: But what about allowing for spontaneity?
Tim: Allowing spontaneity to be a possibility leads to apathy. And death.

Puzzle
My (very old) mobile phone would last for about 6 days before needing to recharge. I moved house and this fell to 2 days. Why might that be?

Answer to Last Week’s Puzzle
Under what circumstances does the slightly misquoted “build it and they will come” apply?

Xuan says “Depends if what you’re building has tapped into some underlying desire/interest. Las Vegas was quite an idea.” Simon makes some disparaging remarks about marketing agencies and asks “Is an idea a good idea if nobody is there to hear it fall?”

I think a more instructive quote might be Ralph Waldo Emerson’s “Build a better mousetrap, and the world will beat a path to your door” (also misquoted).

The assertion seems to be that society operates according to some kind of omniscient meritoracy. This is a pretty tough assertion to defend, even if we can agree on what we mean by ‘better’ (the ‘humane’ problem seems to be difficult in the field of mouse-traps; there have been interesting developments in aesthetic considerations). In practice, as individuals (and therefore collectively) we can only judge the things we are aware of. To solve that problem, we need an omniscient third party of some kind that understands how we will judge things and show us those we are most likely to favour accordingly.

Of course, the internet gives us some very powerful tools to do exactly this. Pandora and Last.fm go a long way to achieving this for music: Pandora recommends an obscure musician purely because the music is the kind that it has learned that you like, and can then direct you to buy from them directly. But doing the same for other media types is more challenging.

We can expect more of this in the future, eventually rolling out through location-aware mobile devices so that if you happen to be interested in baseball and can get to Iowa, you could indeed discover an unmarketed Field of Dreams. But until then, I just don’t buy that ending.

P.S.

Between asking the question and writing this answer, I happened upon this article which describes what I’m talking about pretty well.

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Things 68: Tony, Build It, Ghost Man

Link
Having recently read about Buckminster Fuller’s utter conviction that learning from video was superior to traditional classroom learning, it does at least seem reasonable to accept that technology in some form could improve the standard learning environment. This report on “Cell phones in the classroom” (more accurately, computing devices in the classroom) is not entirely convincing, but raises some interesting ideas:
http://radar.oreilly.com/2010/03/cell-phones-in-classrooms.html

Quote
David Yelland somewhat accidentally became editor of The Sun from 1998 – 2003, despite being a lefty liberal sort. He’s got a book coming out, and although I’m not generally very political I did rather like this snippet:

Tony Blair Once asked me: “What’s the first paper you read in the morning?” “The Guardian,” I answered. “So why are you editing The Sun instead of The Guardian?” he said. “Why are you leading the Labour Party instead of the Tories?” I shot back. He laughed.

Full article is here. (Warning: links to Daily Mail)

Puzzle
Under what sort of circumstances does the tellingly misquoted suggestion “build it and they will come” actually apply? For example, build a wider road and more cars will come; build a random blog about stuff and nobody will really look at it at all.

Pictures
The ‘Ghost Man’ simply paints himself in order to blend in:

More here.

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Things 67: Metavideo special

Welcome to the first real live blog post of Things, formerly only available via email. Things 1 through to 66 will be republished here in blog form on Tuesdays (and in fact Things 1 has been posted already), while new Things will appear when the Things newsletter goes out which is usually on Fridays. If you’re reading this and don’t know about the newsletter, it’s like what you’re about to read but in email form. (And if you prefer that to a blog then I’m afraid you’ll have to wait until I get a proper mailing list set up).

If you’re curious about the name ‘Nothing About Potatoes’ then do check out the very first post.

Now, on with the Things:

Metavideo Special

Laurence brought this metatrailer to my attention:

Academy Award Winning Movie Trailer

This reminded me of Charlie Brooker’s excellent observations on standard news formats:

Charlie Brooker’s How To Report The News

At about the same time, The Onion came out with it’s own version of the form:

Breaking News: Some Bullshit Happening Somewhere

I guess this next video is tenuously linked in that it plays against certain tropes of the genre, but more importantly it’s just a really superb bit of storytelling, reaffirming something I learned from Tim Sheppard’s course: an audience relates to a story through the storyteller, not merely via.

Granny O’Grimm’s Sleeping Beauty

And finally, not even tangentially related, I went to see this at the Barbican and it was fantastically surreal:

Céleste Boursier-Mougenot: Finches playing guitars
http://www.youtube.com/watch?v=89Kz8Nxb-Bg

[Sadly this video is no longer findable :( – metatim 02/08/15]

[It’s back!! See below – metatim 06/02/2024]

You literally walk among a whole flock of finches playing six guitars as well as making noise on cymbals covered in bird feed. It’s free and on until May 23rd, and if you like the idea of it then you will certainly like the reality. Details are here.

A Quote
YouTube comments are famously crass and immature (although what might be termed a ‘moral majority’ clearly make good use of the thumbs up / down comment rating system) which made the following comment I saw against a trailer for Wolverine all the more heartwarming:

“I watched this movie May 2nd and it was so awesome that I can’t even say how awesome I love all film peace to peace I like Wolverine with his Adamantium Claws so much that I can’t say even how I like the film is awesome and it deserve the best in the world”

(Also, the comments on the first video in this post are actually pretty good)

Last Week’s Puzzle
Last week in the Things newsletter I asked about ways to tell where to stand on a London underground platform such that you will be by the doors of the tube carriage when it pulls up.

My original answer had been to look at the painted line on the edge of the platform and find the patches with additional wear/dirt, caused by a larger number of people walking there as they left the carriage. However, this is rarely obvious enough to spot.

Rob suggested noting where ‘mind the gap’ is written on the platform. This works perfectly at some stations (such as Hammersmith), but these notices don’t seem to be present in the majority of stations so cannot usually be used.

Xuan suggests waiting until the train slows down and then entering the no-man’s land beyond the yellow line and moving along to where you can then tell a door will stop, although he admits this is quite a risky move.

Miranda points out you can reliably predict where the doors will be if you are at either end of the platform, but this isn’t always easy to get to and is often suboptimal for making changes. On that note, Rob was the first to point out the existence of an app to help with exactly that problem: http://www.tubeexits.co.uk/

My preferred solution is simply to use the large signs that say which station you’re at, as these are very often strategically placed where the doors will be for the convenience of those looking out when the train stops. You can go one step further (since judging by where other people tend to stand quite a few others have worked this out) by waiting sixteen square tiles further up or down the platform in order to be by the next set of doors along. Do note, however, that the sign trick does not work in stations where the architecture doesn’t allow free placement of signs, such as Mile End or Gloucester Road, where large pillars dictate the placement opportunities.