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Things 72: Art

Quotes
Flaubert: “Art is born of restraint and dies of freedom”

Dorothy Gambrell (Cat and Girl): “Great stuff is usually made within very set boundaries […] the importance of a medium lies in its limitations.” (link)

Antony Gormley: “A lot of public art is gunge, an excuse which says, ‘we’re terribly sorry to have built this senseless glass and steel tower but here is this 20-foot bronze cat'”

Link
Kanji that transform into the animal they represent. A brilliant example of art within tight boundaries.

See the rest of the series here (although beware potentially NSFW imagery at the bottom of the page, after the polls, depending on what they have posted recently).

Video
Here’s a really amazing example of art vs limitations: using only the ramblings of a reluctant drunk man for the audio, make a video about the story of a historical figure. Somehow, moderately famous actors are involved in the project. The result is fascinating (although does contain moments of the more unpleasant consequences of drunkenness):
Drunk History – Nicola Tesla

Pictures
Putting captions on pictures of cats is an emerging art form I have been monitoring for some time. I previously put together my top 10 cats from 2007 and 2008; here, belatedly, are my top 10 cat images spotted in the first half of 2009.

Question
Roger Ebert asserts that “Video games can never be art” Why is he wrong?
(See these posts on Penny Arcade for context and their own responses).

Last week’s Puzzle
Last week I asked what would be the best thing I could buy that would maximise hours saved per pound spent. This produced a wide range of responses, largely depending on which assumptions people chose to question.

  • Yasmin suggests Red Bull (and similar) to save time by needing less sleep.
  • Alam suggests a clone of myself
  • Xuan suggests slaves and a washing machine.
  • Angela suggests two books that could improve one’s efficiency and so save time – The Miracle of Mindfulness and Making Time. (Funnily enough I already own the latter… but I haven’t found time to read it yet).
  • John suggests grated cheese.
  • Phil points out anything free that saves any time would maximise the metric, such as DropBox. This technically lies outside the “buy” requirement. He also suggests a combi-microwave and a smartphone, and then finally a device to prevent time-wasting by cutting off internet access between certain hours.
  • Simon specifically attempted to address the “I” part of the question by recommending an iPad as being a particularly good purchase for me, by switching to digital goods (music, movies, comics, books); “Imagine all that time not wasted, going to shops, ordering physical products online and searching for things you can’t find.” I don’t exactly agree, but that’s a huge discussion for another time.

Finally, Laurence suggests a Time Machine, and insightfully adds:

The inevitable complexity of all the proposed solutions reminds me of
the following quote:

“If you want to make an apple pie from scratch, you must first create
the universe.”
– Carl Sagan

I had planned to make simple estimates for the “hours saved per pound spent” for each answer and declare a winner, but due to the range and complexity of answers this now falls out of the remit of Things and will instead be posted over on my analytical blog, Tower of the Octopus (which now has its own domain) once I find time to make such estimates.

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Things 67: Metavideo special

Welcome to the first real live blog post of Things, formerly only available via email. Things 1 through to 66 will be republished here in blog form on Tuesdays (and in fact Things 1 has been posted already), while new Things will appear when the Things newsletter goes out which is usually on Fridays. If you’re reading this and don’t know about the newsletter, it’s like what you’re about to read but in email form. (And if you prefer that to a blog then I’m afraid you’ll have to wait until I get a proper mailing list set up).

If you’re curious about the name ‘Nothing About Potatoes’ then do check out the very first post.

Now, on with the Things:

Metavideo Special

Laurence brought this metatrailer to my attention:

Academy Award Winning Movie Trailer

This reminded me of Charlie Brooker’s excellent observations on standard news formats:

Charlie Brooker’s How To Report The News

At about the same time, The Onion came out with it’s own version of the form:

Breaking News: Some Bullshit Happening Somewhere

I guess this next video is tenuously linked in that it plays against certain tropes of the genre, but more importantly it’s just a really superb bit of storytelling, reaffirming something I learned from Tim Sheppard’s course: an audience relates to a story through the storyteller, not merely via.

Granny O’Grimm’s Sleeping Beauty

And finally, not even tangentially related, I went to see this at the Barbican and it was fantastically surreal:

Céleste Boursier-Mougenot: Finches playing guitars
http://www.youtube.com/watch?v=89Kz8Nxb-Bg

[Sadly this video is no longer findable :( – metatim 02/08/15]

[It’s back!! See below – metatim 06/02/2024]

You literally walk among a whole flock of finches playing six guitars as well as making noise on cymbals covered in bird feed. It’s free and on until May 23rd, and if you like the idea of it then you will certainly like the reality. Details are here.

A Quote
YouTube comments are famously crass and immature (although what might be termed a ‘moral majority’ clearly make good use of the thumbs up / down comment rating system) which made the following comment I saw against a trailer for Wolverine all the more heartwarming:

“I watched this movie May 2nd and it was so awesome that I can’t even say how awesome I love all film peace to peace I like Wolverine with his Adamantium Claws so much that I can’t say even how I like the film is awesome and it deserve the best in the world”

(Also, the comments on the first video in this post are actually pretty good)

Last Week’s Puzzle
Last week in the Things newsletter I asked about ways to tell where to stand on a London underground platform such that you will be by the doors of the tube carriage when it pulls up.

My original answer had been to look at the painted line on the edge of the platform and find the patches with additional wear/dirt, caused by a larger number of people walking there as they left the carriage. However, this is rarely obvious enough to spot.

Rob suggested noting where ‘mind the gap’ is written on the platform. This works perfectly at some stations (such as Hammersmith), but these notices don’t seem to be present in the majority of stations so cannot usually be used.

Xuan suggests waiting until the train slows down and then entering the no-man’s land beyond the yellow line and moving along to where you can then tell a door will stop, although he admits this is quite a risky move.

Miranda points out you can reliably predict where the doors will be if you are at either end of the platform, but this isn’t always easy to get to and is often suboptimal for making changes. On that note, Rob was the first to point out the existence of an app to help with exactly that problem: http://www.tubeexits.co.uk/

My preferred solution is simply to use the large signs that say which station you’re at, as these are very often strategically placed where the doors will be for the convenience of those looking out when the train stops. You can go one step further (since judging by where other people tend to stand quite a few others have worked this out) by waiting sixteen square tiles further up or down the platform in order to be by the next set of doors along. Do note, however, that the sign trick does not work in stations where the architecture doesn’t allow free placement of signs, such as Mile End or Gloucester Road, where large pillars dictate the placement opportunities.