Tag Archives: facebook

Things September 2017 – Roads, Fish, DJ Shadow

Road Diet

If expanding or adding roads induces more people to drive and so creates worse overall flow, does it follow that reducing or removing roads could improve it? In some cases, yes. (Incidentally, that’s on Kottke.org, which you should definitely follow if you like Things, since it’s the same sort of idea but better).

Up All Night

Beck’s recent music video directed by Canada reminds me of what was (for me) the golden age of music videos, with a simple conceit, intriguing editing and strong visual metaphor, all well executed. I also like the way the choice of frame for the video thumbnail sets expectations:

If you want to know about Numbers

Via Clare, there is a Wikipedia article for the number 1001, which is nice, but does raise certain questions. Fortunately, some of those questions can be answered in the ambitiously-titled article List of Numbers.

Death and Social Media

As Facebook continues to execute its global man-in-the-middle manipulation/monetisation of social interaction, it unsurprisingly runs into some very difficult territory. Reading their blog series on these topics, I’m actually quite impressed with their approach to social media mortality, and was very interested to read how they balance their policy on hate speech.

Generic Film Trailer

With Inception’s percussive brass sound slotting in alongside plenty of other tropes, witness a surprisingly compelling and fully generic trailer:

Would you Rather be a Fish?

Laurie Anderson’s song “Monkey’s Paw” has plenty of strange memorable phrases, but one stayed with me over the years: “Would you like to be… a fish?” The video embedded below is edited from relevant shots from the Terminator TV series, so don’t watch if you’re averse to cyborg gore:

In Jim Jarmusch’s Paterson (2016), the strange power of the phrase is explicitly noted in a poem:

… except of course he was referencing the song “Swinging on a Star”, which I assume first coined the phrase:

I rather like the idea that much as I was struck by Anderson’s aquatic question, she herself must have been similarly struck by it in Swinging on a Star, as were Jim Jarmusch (writer-director of Paterson) and/or Ron Padgett (poet for the film). All of which makes it all the more tragic that (via Clare) the opening of late 80’s kids series Out of This World reworked the lyrics to “Swinging on a Star” to present the dilemma of aliens choosing to live as humans on earth, but singularly failed to suggest the fish alternative.

What is it that makes a short phrase like this stand out? I’m reminded of Admiral Ackbar observing “It’s a trap!’ in Return of the Jedi, a far more banal turn of phrase which nonetheless gathered enough pop culture awareness that you can make a comic like this, and people will track down the original voice actor and get him to deliver the line eight different ways 33 years later and get 36,000 YouTube views as a result.

Mind you, Star Wars is the kind of overblown phenomenon that has entire phalanxes of fans dress like an obscure background character who happened to be carrying an odd-looking prop, so may not be the most reliable of reference points.

Find, Share, Rewind

DJ Shadow goes long on both the ‘D’ and ‘J’ elements, shooting to fame in 1996 with his debut album Endtroducing, possibly the first album composed entirely from samples, which he drew from his extensive and ever-growing vinyl collection. If you’re not familiar, the result is a lot more interesting than one might suppose.

DJ Shadow in his natural habitat

More than most artists, while he moves on musically, much of his fan base clings to the past. In a moment I expect is repeated often, at his recent gig in Brighton when he announced he would play “some old stuff and some new stuff” a member of the crowd shouted “No! Artistic stasis or death!”

Kind of. I mean, they actually just shouted “Old stuff!” but we all knew what they meant.

Anyway, the reason I bring up DJ Shadow is that he has (had?) a monthly 2-hour slot on KCRW to present some of his favourite music, and if you enjoy best-radio-station-in-the-world Fip, you might also like this, as it is similarly diverse and intriguing. There are four episodes up so you have an interesting eight hours ahead of you, if you choose to brave that path. Admittedly it starts at the less accessible end, but skip ahead in 15 minute increments for each major section if industrial electronic drone isn’t for you and you’d rather get to the Jefferson Airplane section.

Prince of Darkness (1987)

Things trivia postscript
Endtroducing’s brief ‘Transmission’ tracks (“You are receiving this broadcast as a dream”) – which I later found are sampled from the film Prince of Darkness (1987), a horror film just as mysterious and unnerving as the samples imply – are the reason I end Things posts like this:

- Transmission ends

Things 40: Big Dog Robot, Movie Marketing, Facebook Principles

(Originally sent February 2009)

For those that are new or may have forgotten, ‘Things’ is intended to be weekly, I’ve just been abnormally busy recently. I’m getting this one done by adding bits in stages throughout the week, but since it has somehow become much longer than usual it has actually taken more than a week for these incremental efforts to add up…

The movie Push was much better than I had expected, being unusually well thought-out and executed for the genre.

My review:


I’m currently undecided on which I want to see of these two films:

The Unborn – implementing all ‘best practice’ horror cliches
(IMDb 4.8/10! Rotten Tomatoes 13%!)


Franklyn – Possibly ‘Bridge to Terabithia’ for adults, but less mature
(IMDb 7.8/10 Rotten Tomatoes N/A)


(Don’t forget you can switch off YouTube annotations via the icon in the bottom right)
[Much later I did eventually see Franklyn. Unfortunately I don’t recommend it. – T.M. 20/2/11]

‘Big Dog': Once again, technology jumps forward a bit faster than I was expecting, this time in robotic quadrapedal locomotion:


I found this New Yorker article on the marketing of movies absolutely fascinating.

Warning – long article! Recommend consumption in chunks!


“Publicity is selling what you have: the film’s stars and sometimes its director. Marketing, very often, is selling what you don’t have; it’s the art of the tease.”

“Even as movie attendance has dropped nineteen per cent from its peak of 1.6 billion theatregoers, in 2002, the number of films released each year since then has increased by thirty per cent. A dozen new films—three of them big studio releases—now vie for attention on any given weekend. To cut through the ambient noise, major studios spend an average of thirty-six million dollars to market one of their films.”

(Note that the average is probably the wrong figure to consider – a handful of gargantuan budgets will massively distort it. I would guess the median figure might be around 10 million dollars based on similar power-law distributions)

“the industry-standard multiplier for ultimate box-office—two and a half times the opening weekend’s gross”

Nat Torkington of O’Reilly Radar, on the trend for applications and data to be run and stored in the ‘cloud’ (the external network, e.g. Google Docs or webmail) rather than your own computer:

“Data in the cloud can be a privacy problem, because you’ve outsourced your privacy, so you’re vulnerable to attack not just from hackers but also from governments, competitors, and incompetence.”

Taken from a very important but annoyingly presented talk you can click through (yes, talk you can click through, that’s why it’s annoying) here:


Puzzle – previous
Last time I asked what people thought digital cinema projection combined with mobile phone interaction might cause to happen. Here’s some of what came out…

Storytelling used to be interactive with the storyteller flexing the way the story is told depending on audience reaction – this sort of thing becomes possible again. The mood could be flexed (perhaps with the soundtrack – dynamically generating suitable music is something already being used in video games), lines changed, or even the ending. But where does the input come from?

Live ‘what happens next’ competitions with prizes for audience members (!) and for scriptwriters…

Crowd-source optimisation of the presentation – up/down volume, focus, alignment. (I heard some cinemas in the US already do this – a few chairs in the auditorium are equipped for the audience member to give instant feedback on these issues, or it may have just been a single button that means ‘something is wrong’)

Product placement: can be localised (different product appears in same film when shown in different countries, or different locations in those countries), or placed on the screen in real time using some kind of eye-tracking, and optimised using mood-measurement, and cinema temperature control!!

Personally I suspect it will go through a process of hype (a few gimmicky movies where you can choose the ending, a rush of adverts with some kind of audience interaction tacked on), it will rely on sponsorship from a mobile operator (probably Orange), and it may ultimately fail because Cinema is a ‘sit back’ medium, rather than a ‘sit forward’ inherently interactive one like the web. (TV is a ‘sit back’ medium, which is why nobody presses ‘the red button’).

Or maybe I’m wrong – apparently the statistics actually show that 11 million people press that button every week, and a ‘killer app’ that we haven’t thought of could always emerge in interactive cinema and transform the entire medium.

Puzzle – this week
This just in – Facebook are taking what I consider to be an incredibly significant step in that they are now approaching their terms of service in a way similar to the US Constitution:


Their proposals for a ‘statement of rights and responsibilities‘ and ‘Facebook Principles‘ are currently up for debate.

There are three parts which I think work very interestingly together:

Principle 1. Freedom to Share and Connect
People should have the freedom to share whatever information they want, in any medium and any format, and have the right to connect online with anyone – any person, organization or service – as long as they both consent to the connection.

Digital technology has blurred the line between ‘information’ and ‘content’. As such, the very first principle sounds as if it endorses p2p file sharing…

R&R 2.3 For content that is covered by intellectual property rights (like photos and videos), you specifically give us the following permission, subject to your privacy and application settings: you grant us a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use, copy, publicly perform or display, distribute, modify, translate, and create derivative works of (“use”) any content you post on or in connection with Facebook. This license ends when you delete your content or your account.

Facebook need your permission to share your content with those you want to share it with, certainly, but imagining them modifying and then publicly performing it sounds a bit strange (I’m imagining a personal photo being photoshopped in some bizarre way and then paraded around Tokyo on a sandwich board with a strange slogan in order to promote Facebook) – and the idea that they will then stop such a thing as soon as you ‘delete your content’ is also hard to imagine…

R&R 5.1 You will not post content or take any action on Facebook that infringes someone else’s rights or otherwise violates the law.

Does this contradict Principle 1? Does that matter?

A picture
After an unusually intense edition of Things, here’s a nice little story and picture from the surprisingly entertaining Cake Wrecks blog.

Things Special: Twitter week

Last week I was in the “Tweet Seat” for my workplace, @RAPP_UK

So in this week’s Things I’m compiling my tweets, and will give them some kind of review and additional context. This is mainly because 140 characters feels a bit like pointing at something and making a kind of grunting noise, when what I really want to do is sum up what’s interesting about the link and what my view is. Since this adds up to quite an intensive read, I’ve arbitrarily broken it up with some pictures I recently found online that I liked.

So, here’s the first tweet:

Tommy Pollata’s Collapsus.com looks cool, but as with other transmedia it’s hard to assess cost/benefit (i.e. time/quality) before diving in

I think this tweet falls between all stools – “looks cool” isn’t enough of an endorsement to go check something out, and there still weren’t really enough characters left to make my point properly. The point was, for something I’m familiar with like movies, I know exactly where to look to assess how good a movie will be (imdb, rotten tomatoes, lovefilm or youtube or filmcrave for trailer), I can easily find out the running time, and I know exactly what kind of commitment I need to make to watch it. For transmedia projects, ARGs and the like, none of this stuff is in place, meaning I have no idea if it will be good or not, and no idea what kind of commitment it will require.

@wireduk Cover story Kinect’s tech is smart, but if Amplification of Input (http://bit.ly/9nDhRc) = Fun, surely Bigger Input = Less Fun?

Thanks to Google Books I was able to link to the idea of “Amplification of Input”, and just about compressed my argument down to the character limit, but as a tweet it somewhat relies on the reader already knowing exactly what Kinect is. While there’s technically enough information in the tweet to help you find the online version of the article I’m talking about, it’s not convenient enough, besides which this is the internet, so mentioning something and not being able to make that mention a link seems ridiculous. I’d also add some caveats to my point, in that while Amplification of Input is one thing that makes games fun, there’s certainly plenty of others, many of which the Kinect could be good at, and I’m also keenly aware that DDR being more fun with a Dance Mat than a controller is a perfect counterargument.

‘People that read more books more likely to buy eReaders’, and other predictable but nice-to-know eReader stats, here: http://bit.ly/9SSgL7

My suitably pithy summary is actually a response to the article’s own bizarre misreading of the stats: “Digital reading has caused a shift in book reading and buying habits, too: While two in five Americans (40%) read 11 or more books a year, with one in five reading 21 or more books in a year (19%), 36% of those who own e-readers read 11 to 20 books a year (36%), and 26% read 21 or more books in an average year.” Sorry, no. The fact I was responding to this probably wouldn’t be clear if you read my tweet then read the article, which itself uses the much more reasonable header “Digital Readers Read More Books” before launching into that quote.

There Are 100 Million Female Cyborgs, one of many interesting musings on humans and technology mutually augmenting: http://bit.ly/b5oCbG

This was the first tweet I was pretty much happy with, encapsulating what I liked about the article with enough intrigue to provoke someone interested in that kind of thing into taking a look.

Digital technology continues to encroach on the supposed benefits of analogue versions: http://bit.ly/cslZUe

I experimentally tried removing all context for the link to make room for my view on it. The Bit.ly results showed this reduced the number of clicks (although whether 2 down from 6/7 is significant is up for debate). There could easily be people that read this but didn’t click who would have if I had made it clear that this was about a web-interface for viewing old paintings in incredible detail.

Here is a contextless link providing tacit endorsement of a news article about Science: http://bit.ly/cZLHVP

This link drew more clicks (8), although perhaps people were reading between the, er, words and understood what kind of a thing they were about to read. Fortunately I didn’t feel like providing much more than tacit endorsement, so this tweet just about worked.

Dorothy Gambrell’s Cat and Girl webcomic has a lot of great insights on trends (and many other areas of life): http://bit.ly/bvceXy

Not based on any moment-by-moment discovery, I just wanted to get a reference to Cat and Girl out there, using a reasonably recent addition. I guess it’s an okay tweet.

Randall Munroe updates his Online Communities map over on XKCD – this time using social activity for scale: http://bit.ly/cAqYO6

Tacit endorsement seemed like enough here, and I was happy to give a full citation – I’ve always found it strange when people post “someone has done this great thing” when it’s easy to find out who “someone” is. A weird personal case was someone commenting on one of my own YouTube videos saying “Whoever edited this should keep up the good work” – I’m right here! On the internet.

Doogie Horner categorises Facebook profile pictures on Fast Company, good thing I’m hidden behind a logo… http://bit.ly/dfHFZU

Sitting in a ‘tweet seat’ behind a brand is actually quite a strange experience. I avoided using the first person because that felt actively strange, but I suspect the real problem was I didn’t have any social cues for what the correct manner was, or even any real-time feedback on whether I was doing it right or wrong. But in any case, I knew I was at least somewhat hidden behind the logo, which I found interesting in itself.

@judell (O’Reilly) wants everyone to learn to pass by reference: http://oreil.ly/bCZkoE – I suspect DropBox will help.

This is an extremely dense tweet that needs several stages of unpacking. If ‘pass by reference’ doesn’t make any sense then you need to read the article, but if it doesn’t make any sense then perhaps you will be put off clicking on the link. To see how DropBox might help you need to be familiar with both that concept and the features of DropBox (which I won’t expand this huge post even further by elaborating on). Finally, the tweet originally started with ‘Jon Udell’, which I then realised looked a bit silly in a tweet about pass-by-reference – although making it “@judell” then turns it into a directed comment, which wasn’t what I really wanted to do. It’s ultimately an interesting feature of Twitter that there isn’t really a distinction between referencing someone and (effectively) saying their name while raising your voice and making meaningful eye-contact with them across the room.

The Nooski Mouse Trap – a better mouse trap, but also a smarter business model: http://bit.ly/d20sru

This tweet hits a lot of the buttons, I would just prefer to be able to link to the specific reference to  ‘a better mouse trap‘ as I’m saying it for those that haven’t heard the phrase before.

Facebook fix Groups, show app data, allow data export: http://on.fb.me/bHH3mL As usual, EFF has insightful commentary: http://bit.ly/9igUl4

It was fun to try to compress this into a single tweet, and linking to commentary from EFF means I don’t feel I need to add my own view, which was also useful because I didn’t have time to do more than scan through both articles at the time. Having subsequently read them both, I think the most interesting point is that the new groups functionality is a more accessible way of communicating with sub-sets of your friends, which seemed like something Zukerberg was ideologically opposed to doing.

Skype is on Android: http://bit.ly/aw5fXG Androids are on Skype (sort of): http://bit.ly/ds6J3A

It’s probably obvious that I was very pleased with this tweet. I found it interesting that it could not have occurred if I had insta-tweeted the Skype-on-Android news, as Twitter effectively incentivises people to do, since I only read the ‘Androids on Skype’ article later.

Find out if Libya is happy for you to click on this very link, by clicking on it: http://bit.ly/aqn6Ui

This was the most clicked-on link (at 11), perhaps because of the hint of interactivity. Perhaps it reads as something of a bait-and-switch, but I think it still has some validity. If you want to judge for yourself you’ll just have to click and see.

Most ideas are obvious in retrospect, but few more so than McDonalds getting a Farm on Farmville http://bit.ly/cQq9k3

This is a superficially well-formed tweet, but I would much rather have had the time to engage with the deeper questions raised by this kind of sponsorship – is it measurably beneficial for McDonalds? For Farmville? For Farmville players? What are the long-term implications of this? For now it will just have to sit as an example of some kind, waiting for others to join it, until I finally feel I have enough ammunition to look into the issue properly.

Audio zoom presumably means sports broadcasters will now be looking for real-time bleep censoring technology: http://bit.ly/ckuX25

Another tweet that takes a few leaps to process, but is hopefully clear… the technology presented allows one to ‘zoom in’ on the audio in a crowd, most obviously useful in the public sphere in big sports events, typically broadcast live, which would therefore need swear-words to be automatically bleeped. The public surveillance angle is actually more interesting to consider, but is too deep to get into in a tweet, or even here. So just… think about it.

Chrome pushes IE below 50% share in “promote it and they will come” shocker http://bit.ly/9uZJxT

More ‘reading between the words’ needed here to decode the reference and how it applies to this story. Since most are probably familiar with the quote (which is almost always misquoted, a fact I think is very interesting in itself), the remaining thing to add (that may be less obvious to people not watching these things) is that Google would build a lot of things and just see what happened, whereas they have recently begun to actively promote their products, the result apparently being that people are actually trying them. There’s a full blog post of material to unpack here, so I may one day revisit this point.

Tried the Playstation Move; could be Sony’s stalking horse for interactive AR – see blog post for my reasoning: http://bit.ly/c4Bj3z

This is a qualitatively different kind of tweet. I scraped together enough time to write a post on something, which means no ‘viewpoint’ is needed on the tweet, just some useful explanation along with the pointing finger. But what I found particularly interesting was that in the process of distilling down to 140 characters I actually came up with a better turn of phrase than two drafts of the original post had yielded – “stalking horse” is I think exactly right.

My tweet seat time is up, so I figured I’d take the opportunity to review and expand on my tweets: http://bit.ly/coWQkG

Well, here we are. And that was that.

igital reading has caused a shift in book reading and buying habits, too: While two in five Americans (40%) read 11 or more books a year, with one in five reading 21 or more books in a year (19%), 36% of those who own e-readers read 11 to 20 books a year (36%), and 26% read 21 or more books in an average year.

See full article from DailyFinance: http://srph.it/b1uO5D