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Things 129: Kids Special (Strange Hill High, Octonauts, The Phoenix)

People tend to assume children’s entertainment isn’t as good as it was when they were young, probably due to a three-pronged attack of rose-tinted nostalgia, the best shows being renewed (Sesame Street) or repeated (Bagpuss) so giving each new generation a sense of ownership over them, and poor curation for adults out of the current crop.

Recognising that this is a highly subjective enterprise, I’m going to pick out a few good examples of current kids fare in attempt to at least fix the latter. There’s even a kid-entertainment-based puzzle at the end.

TV Series with Puppets: Strange Hill High
I occasionally take a look at current children’s TV to see what sort of animation techniques are being used, and Strange Hill High caught my attention through its fascinating combination of designer-vinyl-toy-style puppets combined with CG mouth animation.

The premise is entirely encoded in the name so I won’t bother to elaborate on that. Most importantly, it actually makes me laugh a few times per episode, which can’t be said of many other TV series. To be fair, 90% of it is fairly standard kids ‘comedy’, but it’s sufficiently fast paced that I don’t mind sitting through that to get to the other 10%.

If you seek reassurance from known quantities, it also features the voice of Richard Ayoade (The IT Crowd), and the head of the writing team is Josh Weinstein (The Simpsons).

It’s on iPlayer right now (I recommend starting with 99 cool things to do with a time machine), and you can start to get a bit of a flavour (though not really enough) from the opening few minutes:

http://www.youtube.com/watch?v=j5ll7kot5bo

Picture Books: Octonauts
Again, I first engaged with this franchise through the graphical design: I was impressed by the stylishness of their bath toys. It turns out there’s a whole CG animated series, which is quite good (mostly due to the use of regional accents), but it all started with a series of charmingly whimsical picture books. Here’s a few snippets to give you an idea:

Decoding the language of a sad fish:

Pictures that glow in the dark (from this book), which it turns out fascinate me just as much as when I was a kid:

Weekly comic: The Phoenix
Now I look back on it, more than anything The Beano looks like a primer on culture, mapping out the tropes and stereotypes of an idealised sort of pre-war age (vicars having tea, go-carts, hi-jinks, the threat of The Slipper), equipping the child with the reference points needed to navigate modern entertainment, while keeping said child entertained with a never-ending stream of speech bubbles that all end in exclamation marks (I only noticed this years later, and haven’t been able to read more than a few pages at once since).

The Phoenix is a modern kids comic that’s nothing like that. For one thing, it features work by James Turner, who I’ve featured in Things before (with this mind-bending 9-panel comic).

It’s also got a bunch of other surprisingly good stuff. Bunny vs Monkey by Jamie Smart features high-quality hijinks like this and ever so often will just go incredibly dark, like this:

For being simultaneously educational and entertaining, I’ve never seen better than Corpse Talk by Adam Murphy, in which he interviews the reanimated corpses of the “dead famous”, and doesn’t really sugar-coat things that much:

There’s wonderful art by Lorenzo in Long Gone Don:

Finally, ‘Professor Panels’ by Neill Cameron teaches kids to make their own comics, sometimes delightfully deconstructing the form, such as the episode in which a mecha-comic-creating-monkey starts to misfire when a banana is added to its workings:

If you’re interested, do check out their website, which has a free digital issue, a link to the iPad app, a starter pack you could buy, and a bunch of other good stuff.

Video: Tune-Yards My Country
I like this music, and the video is pretty good too. Be sure to stick around for the funky syncopated brass solo around 2’40”.

Puzzle: The Perfect Power-up Purchase Path
The LEGO console games are aimed at children, but provide some solid co-op entertainment for adults too, especially if you derive pleasure from smashing things and collecting coins – or in the LEGO-themed parlance of the game, ‘studs’.

In many (all?) of them, studs collected in the course of play can be used to purchase various upgrades. One such upgrade is the ‘x2’, which once bought, doubles the value of all the studs you subsequently collect – so a level where you might collect 100,000 studs will instead net you 200,000. There are other similar upgrades, like the ‘x4’, which multiplies by 4 – and they apply cumulatively, so if you have both x2 and x4, you get an 8 times multiplier, so that level would now net you 800,000 studs.

Naturally, the more powerful multipliers are more expensive to buy… but having a multiplier will help you save up for the others more quickly. Here’s a price list:

  • x2 = 1 million studs
  • x4 = 2m
  • x6 = 3m
  • x8 = 4m
  • x10 = 5m

So, the question naturally arises: if you want to eventually purchase all 5 of these multpliers, what order should you buy them in? (In case you were wondering, yes, they really do keep accumulating, so when you have them all you have a 2 x 4 x 6 x 8 x 10 = 3,840-times multiplier).

For the more mathematically inclined: what is the generic strategy for any multiplier series f and pricing series g? For the more game-design inclined: if you really wanted to encourage children to do some maths, how would you design the pricing for these multipliers? Alternatively, if you wanted to make the game as fun as possible, what multipliers and prices would you set?

Answer: Spoilers Sometimes Matter
Last time I asked if we could really believe research demonstrating that spoilers always improve enjoyment. The consensus seems pretty clear – even though ‘mystery’ and ‘twist ending’ stories were included in the research, it nonetheless seems very likely that there exist a few counter-example stories in which experiencing them unspoiled adds a tremendous amount to the experience. Since one can’t tell reliably tell which these are in advance, it seems wiser to err on the side of caution, and continue to avoid spoilers.

-Transmission Finally Ends

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Things 128: No spoilers, Beethoven played correctly, automation vs humans

Puzzle – Do Spoilers Matter?
Research looking into the enjoyment of short stories found that reading a ‘spoiler’ beforehand tended to increase enjoyment. That seems quite possible, but the strangest part is that it holds even for mystery or ironic-twist stories. They even have a chart with error bars, which looks pretty compelling (click for big):

So, you’ll generally enjoy all stories you read (or presumably consume in any medium) more if you read about the ending first.

The question, then: how can you justify not doing this?

Video – Omlette
Here’s a really lovely short (2’30”) animation about a dog and an omlette. If you’re having a hard day, I particularly recommend it.

Audio – Beethoven wants you to play faster
When Beethoven eventually got his hands on a metronome, he marked up symphonies with tempos that nobody can quite believe he really meant, and which are pretty much entirely disregarded. This excellent Radiolab podcast investigates. (The forced conversational ‘style’ gets a little irritating, but the demonstration at the end is fantastic).

Links – Race Against The Machine
Our old friend the Invisible Hand guides us to make work more efficient with technology: robots replace humans on production lines, computer work becomes automated, cars and vacuum cleaners operate themselves, and productivity increases. Brilliant.

From the Luddites on, people have been fighting this change to defend their old jobs, but with hindsight we can say they were mistaken, as prosperity has increased, every time, and will continue to do so.

Or will it?!

Despite the apparent historic benefits, it’s still hard to imagine this trend continuing indefinitely and remaining benevolent.

Now, one can imagine some sort of desirable end point, in which (say) solar power becomes incredibly cheap:

… and robots / algorithms are able to do everything humans don’t want to do, and everything is wonderful and everyone is happy.

Of course, quite how you would run such a society isn’t entirely clear, and as Voltaire points out, work isn’t only about earning money:

Work spares us from three evils: boredom, vice, and need

But of more concern right now is how we organise society as we transition towards that end-point. In particular, it seems reasonable to suggest that automation of jobs will tend to increase inequality, as (in a simplistic model), the few that own the robots / server farms reap all the rewards of that automated labour while everyone else loses their jobs.

In case you need reminding, inequality is bad for almost everyone. By the way, a concise point on this topic made by Nick Hanauer in 2011:

If the average American family still got the same share of income they earned in 1980, they would have an astounding $13,000 more in their pockets a year. It’s worth pausing to consider what our economy would be like today if middle-class consumers had that additional income to spend.

Here’s a fun sequence of slides putting the current economic situation (in the US) in 50 years of context (brought together by Business Insider):

Corporate profits as a % of GDP at all time high:

% of Americans with jobs is significantly down:

(Something interesting is happening here, because the more common measure of “unemployment rate” doesn’t look as bad)

Wages as a % of GDP at an all-time low:

(Side-note: these were extracted from a longer chart-based argument to do with wages and debt, which is quite interesting but somewhat disingenuously suggests that just “looking at the data” is some non-political process that can reveal answers, and doesn’t consider the fact that over the same time period the % of retired persons in the US increased from 8% to 13% and could reach 20% in the next 30 years. Still worth a look, though.)

Now, there are many other drivers of inequality (including the feedback loop of lobbying, which The Onion satirises perfectly), and while automation may not have been the biggest contributor so far, it’s worrying that we’re not in a good position just as automation is starting to look like a credible threat to prosperity.

There’s a book on this which characterises the problem in its title: “Race Against the Machine“. I haven’t read it, but apparently the authors make an interesting case and then fail to offer any realistic solutions. The absence of solutions and the seemingly inevitable progress along this line is why I consider this one of the major problems we need to solve (after climate change).

Finally, a really important sci-fi story on this topic: Manna by Marshall Brain, which demonstrates a method by which automation can creep into jobs without replacing them entirely, but the consequences are just as dire. Chapter 1 gives you the gist, but it’s worth continuing to see how he plays out the trend. (At the end he appears to suggest a solution, and unfortunately it appears to be much less realistic than the problem).

-Transmission finally ends

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Things 127: Partner Parity Problem, Games and Stories, Beautiful Pictures

Mild NSFW warning: the last part of this edition embeds some pictures of female comic characters. There’s also a cat video, but I just assume everyone is fine with that.

Make-your-own hyperlapse video
Well, this is incredible: set a start and end point in Google street view, a target for the camera, and get as output a time-lapse video of that journey, in which you can still control the direction of the gaze – Google Street View Hyperlapse.

Here’s the demo reel.

Rabbit Hole: No to No UI
Timo Arnall says No to No UI (more commonly referred to as “invisible design”), and puts forth a detailed and cogent argument, but the main reason I recommend reading it is the warren of rabbit-hole links he uses as implicit citations. For example, Kevin Slavin talks about algorithms, how they don’t share our goals and can have emergent properties we can’t understand like a flash crash due to algorithmic stock trading, and then he takes a hop from “60% of Netflix viewing comes from the recommendation algorithm” (not true if you check carefully), a skip to “Epagogix can algorithmically evaluate the box office potential of a scipt” (no) to jump to this wonderfully flippant quote:

What does a flash crash look like in hollywood? Maybe it’s already happened! How would we know?!

Puzzle and Tim Link

Reporting on a reasonably conducted study’s findings on heterosexual parternships, the Telegraph ran with the headline “Average man has 9 sexual partners in lifetime, women have 4.”

First, what’s wrong with this claim?

Second, how does such a result come about?

Third, as the second is too easy for Things readers, I invite you to guess: which sub-set of respondents is most responsible for the discrepancy?

As some of you will know, I work at a web analytics consultancy where we disentangle data conundrums not dissimilar to this, so I wrote up my findings in a blog post – I found the answer to the last question quite satisfying!

Animal Videos – flocking starlings, evil cat
Kottke has the perfect pair of Starling flock videos – the standard high definition, clean and beautiful static camera one, and then a low resolution one that’s much more thrilling. You should watch both on as big a screen as you can.

Meanwhile, in the sub-genre of YouTube videos enlivened by a dramatic movie score, I declare this cat video the winner:

Games and stories
There is a tension between making a fun game and telling a good story; it seems to be very hard to do both at the same time. I think this might be because these represent two opposite learning methods; learning from someone else’s example, and learning by trying stuff out yourself in a safe environment.

But there’s a flip side of this conflict: sometimes, in the course of playing a game, you generate your own story, one you would never normally get to tell. Here’s an example.

I once played a match of 4-player local GoldenEye, back when I wouldn’t have needed to specify that 4-player GoldenEye was local. I ran out of ammo, and was chased down a twisty dead end by my friend who had some kind of machine gun, so I was pretty much doomed. I did have one thing though, and I said as much:

“I’ve got a proximity mine. If you come any closer I’ll kill us both!”

He laughed, and continued to pursue me round the final tight corner.

I set the proximity mine.

It killed us both.

I don’t remember the final score of that game – I don’t think I did well. But that tiny story remains one of my favourite gaming moments. For that reason, I was very interested to read Tom Armitage’s review of Game Dev Story, a cute little game that crudely simulates running a game development studio through the major console generations, because he made this assessment:

Game Dev Story exemplifies a kind of mechanical storytelling: stories told not through text or voice-acting, but through coherent systems that cannot help but generate stories.

I gave it a go, and he was absolutely right. Apart from the sense of ownership you get from making company decisions, the ability to name your company and the games you produce has some kind of magical effect that makes the whole thing strangely compelling.

It’s not a great story, but it meant a lot to me: after a difficult start, Squidopolis released a string of titles whose success built a war chest which specially trained hardware engineer Stephen Jobson put to use in developing the ultimate console: the Kraken, for which we then produced a string of hits, despite some major setbacks in production.

Game Dev Story is available on Android and iOS.

Folk Games
I like the term ‘folk games’ for equipmentless games a group of people can spontaneously play, such as Standoff, or Ninja, or Fantasy Fencing. I highly recommend all of those, the last one being particularly notable as it is an example of the ‘Tiny Games’ that Hide & Seek are putting into an app (so you don’t have to memorise these sort of things for every occasion). That’s happening on Kickstarter, and with a day to go at the time of writing it’s already funded, but I still recommend the £12 tier (which includes their Board Game Remix kit) to help reach the stretch goals!

Tim Link: Devil May Dance
I like putting in place processes in which incremental progress is made towards a goal, and this year I reached the end of my biggest project so far: I finished my webcomic, Devil May Dance, which I had been updating weekly since April 2006.

The premise was to swap the macho protagonist of the video game Devil May Cry with the feminine lead of seminal rhythm action game Space Channel 5, and see how they got on in one another’s shoes, partly as a way to investigate gender expectations, and partly as an attempt to get some cheap laughs.

If that sounds interesting to you, or if you’re curious what would happen if I wrote a story involving time travel, you should check it out.

I also did a little summary of the web stats of the comic over its lifetime.

Beautiful pictures.
Sunset on mars. Pictures with High Dynamic Range. Icebergs that are naturally stripey. An abandoned epic communist building.

But more importantly, there’s another Kickstarter I’d like to draw your attention to. A friend of mine illustrates comics using primarily traditional techniques, and although she works incredibly hard, I get the impression this means she can’t turn out pages at the kind of speed a regular publisher would like (on account of having to wait for individual colours to dry!), so this is exactly the kind of thing Kickstarter is good for – delivering the kind of projects the invisible hand would usually hold back.

Unfortunately, according to kicktraq’s projection, at a little over half way through, the project has a 50/50 chance of success, so it’s going to need some extra help to make it. Check it out before April 24th!

-Transmission finally ends

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Things 126: Echoes and Bubbles, Time Lies and Lapse, Many Maps

It’s been a while, so I’ve got a lot of links. Hold on to your hats.

Games: Costume Quest, Color

If you or someone you know has never played an RPG-style videogame, I highly recommend DoubleFine’s Costume Quest as the place to start (available on PS3, XBOX 360 and Windows). It’s a really delightful entry into the genre, with a lovely theme, brilliant writing, and it’s also quite short, which is a plus in my book. (via Clare)

Meanwhile, I’d previously linked to Method.ac’s kerning and spline games/competency-assessments. There’s now a fascinating one to do with colour, and by introducing a timing mechanic it’s more game-like than objective assessment-like. Give it a go!

Irresistable Entertainment
Some years ago I remember thinking that technology was just going to get better and better at finding content you’d be interested in, to the point where it would be impossible to drag yourself away from the internet. This compilation video of accidents and unlikely events captured by Russian dashboard-cams is about the closest thing I’ve seen to it, in that it’s 14 minutes long but surprisingly hard to stop watching:

http://www.youtube.com/watch?v=E-l4w-DIiXk#!

Kevin Kelly worries that this kind of thing will normalise extremely unlikely events:

We no longer want mere presentations, we want the best, greatest, the most extraordinary presenters alive, as in TED. We don’t want to watch people playing games, we want to watch the highlights of the highlights, the most amazing moves, catches, runs, shots, and kicks, each one more remarkable and improbable than the other.

I’m not so sure that’s the natural conclusion, since the tastes of both the collective in general and individuals in particular is evidently broader. I’m also not sure it’s that much of a problem either (or at least not much different to the norm), as storytelling through the ages has always concerned itself with unlikely (or even entirely fictional) events.

(Incidentally, Russian dash-cams are also the first noticeable stage in the development of an ubiquitous public surveillance network, which on the one hand enable us to get multiple videos of rarely-filmed events such as meteorites, but on the other hand demonstrate how crowd-sourcing is a convenient way to get over the installation-problem for achieving a 1984-style surveillance state).

Echo Chambers and Filter Bubbles
Another interesting effect of the internet’s ability to show us stuff we like is the danger of ‘echo chambers’ (people only reading the work of those they agree with and passing on links and sentiments from those people) and ‘filter bubbles’ (in which people only follow or get algorithmically shown content that supports their own views, reinforcing confirmation bias). Fortunately a study on Facebook’s data suggests that the echo chamber effect isn’t as bad as we might expect.

Meanwhile this review of the Filter Bubble book on BoingBoing raises the very reasonable counter-argument: “anti-filtering” tools are also developing.

Time Lies
Holly Gramazio of Hide&Seek consistently lies about time in order to make game experiences better. This seems reasonable and useful.

Grand Central train station lies in a similar way, although not by setting their clocks fast as this widely shared article’s headline suggests (which would make people panic and run more), but rather by lying about the real departure time of trains (which is slightly more likely to ease those crucial final seconds of a late boarding attempt).

Of course, both of these effects become weaker when more people know about them. What I’d like is a clock modifier for my mobile which sets the time 1 minute fast most of the time, but on a random, say, 2% of days it instead shows the real time, so I’d know I couldn’t simply factor in that ‘extra’ minute.

T.M. 12/04/13: Richard B adds a local example: “In Heathrow Terminal 5 the information screens in the duty free area lie about the gates opening for boarding in order to control passenger flow and disperse them when the concourse is becoming too crowded.”

Time Lapse
Tsuneaki Hiramatsu took some time lapse photos of Fireflies (with a bit of compositing), which turns out to be just as brilliant an idea as it sounds.

What if you just took a vertical slit of a photo, repeatedly, as something moved past, then composited those pixel-thin images? I’m glad you asked. (A technique along these lines may explain how Rainer Gamsjäger’s video “State of Flux — wave #1″, which baffled me at EIFF 2010, was achieved)

Finally, here’s a different kind of Time Slice by Giuseppe Penone, which incredibly is just what it looks like: an old tree, with parts cut away to reveal its younger self:

Tumblr Tips
Tumblr themes commonly hide the link to the ‘archive’ view, but you can get it just by appending “/archive” to the URL. This is really useful when you want to get a quick overview of a Tumblr’s contents. For example, instead of paging through iheartcatgifs.tumblr.com, you can instead go straight to iheartcatgifs.tumblr.com/archive (and then do something else while you wait for the page to load..!)

Alternatively you can use this tool to automatically identify the top 10 most popular items from a Tumblr by year, based on the number of ‘notes’ (although this can take a little while to process, which is fair enough). For example, you can see the 10 most popular comics from Horse eComics (which are based on a Twitter account that tweets random excerpts from books) here.

Maps: Tube maps, Rearranged cities
A popular semi-regular feature of Things is alternative tube maps (see the better tube map, to-scale tube map, curvy tube map, and travel-time interactive tube map).  So we might as well just cut to the chase and go straight to this site which excellently curates all manner of tube map variations. (via Sophie)

Meanwhile, in the world of rearranging maps based on non-locational criteria, Odd Things Happen When You Chop Up Cities And Stack Them Sideways.

I’ve sat on this link for far too long – a wonderful Gigapan exploreable photo of London. The distant London Eye, at maximum zoom, reveals the individual people in each capsule. It’s like having super powered vision.

Finally, not enough people seem to know about bird’s-eye-view in Bing maps, which provides a really useful mid-ground between Google’s satellite imagery and streetview. Try it out!